Shakespeare and the Ethics of Appropriation
Alexa Huang
€ 127.69
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Description for Shakespeare and the Ethics of Appropriation
Hardback. Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity. Editor(s): Huang, Professor Alexander C. Y.; Rivlin, Elizabeth J. Series: Reproducing Shakespeare. Num Pages: 288 pages, black & white illustrations. BIC Classification: 2AB; DSBD; DSGS. Category: (P) Professional & Vocational. Dimension: 225 x 139 x 21. Weight in Grams: 470.
Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
Product Details
Publisher
Palgrave Macmillan
Format
Hardback
Publication date
2014
Series
Reproducing Shakespeare
Condition
New
Weight
470g
Number of Pages
281
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137375766
SKU
V9781137375766
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Alexa Huang
Thomas Cartelli, Muhlenberg College, USA Sheila T. Cavanagh, Emory University, USA Brinda Charry, Keene State College, USA Christy Desmet, University of Georgia, USA Douglas M. Lanier, University of New Hampshire, USA Courtney Lehmann, University of the Pacific, USA Margaret Litvin, Boston University, USA Adrian Streete, Queen's University Belfast, Northern Ireland Robert Sawyer, ... Read more
Reviews for Shakespeare and the Ethics of Appropriation
"This thoughtful, imaginative, and generous collection takes us beyond the simple identification of Shakespearean appropriation as a field of study in order to place Shakespeare at the center of present-day manifestations of empire, performance, and the humanities. Text, author, and reader form and inform each other in an ethical process, Rivlin and Huang suggest, that mutually constitutes subjectivity and ethical ... Read more