Adaptation, Authorship, and Contemporary Women Filmmakers
S. Cobb
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Description for Adaptation, Authorship, and Contemporary Women Filmmakers
Paperback. A lively discussion of costume dramas to women's films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women's agency and the authority of the woman filmmaker. Num Pages: 167 pages, biography. BIC Classification: APF; D; JFD; JFSJ. Category: (G) General (US: Trade). Dimension: 216 x 140 x 10. Weight in Grams: 231.
A lively discussion of costume dramas to women's films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women's agency and the authority of the woman filmmaker.
A lively discussion of costume dramas to women's films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women's agency and the authority of the woman filmmaker.
Product Details
Format
Paperback
Publication date
2014
Publisher
Palgrave Macmillan United Kingdom
Number of pages
167
Condition
New
Number of Pages
167
Place of Publication
Basingstoke, United Kingdom
ISBN
9781349329106
SKU
V9781349329106
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About S. Cobb
Shelley Cobb is Associate Professor in Film and English at the University of Southampton, UK. She has published widely in the areas of women filmmakers, adaptation and celebrity studies, and is the co-editor, with Neil Ewen, of First Comes Love: Power Couples, Celebrity Kinship, and Cultural Politics (2015).
Reviews for Adaptation, Authorship, and Contemporary Women Filmmakers
'How can a woman filmmaker claim her own authority? In this engaging book, Cobb shows how women directors adapt the figure of the woman writer to negotiate questions of subjectivity, desire and control. Moving adeptly from classics to chick lit, from art films to popular cinema, Cobb weaves these doubly female texts into a productive conversation.' - Christine Geraghty, Honorary ... Read more