.png){kind=logo}
15%OFF
Stock image for illustration purposes only - book cover, edition or condition may vary.
Post-beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 (Traditions in World Cinema)
Will Higbee
€ 38.99
€ 33.08
FREE Delivery in Ireland
Description for Post-beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 (Traditions in World Cinema)
Paperback. Offers a comparative analysis of Maghrebi-French and North African emigre cinema in France. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a 'Post-Beur' cinema in the 2000s that is simultaneously global and local in its outlook. Series Editor(s): Badley, Linda; Barton, R. Series: Traditions in World Cinema. Num Pages: 288 pages, 21 b&w illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 157 x 225 x 11. Weight in Grams: 328.
This is a comparative analysis of Maghrebi-French and North African emigre cinema in France. Since the early 1980s, the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever ... Read more
This is a comparative analysis of Maghrebi-French and North African emigre cinema in France. Since the early 1980s, the arrival of Beur cinema filmmakers of Maghrebi origin have made a key contribution to French cinema's representation of issues such as immigration, integration and national identity. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever ... Read more
Product Details
Publisher
Edinburgh University Press
Format
Paperback
Publication date
2014
Series
Traditions in World Cinema
Condition
New
Number of Pages
288
Place of Publication
Edinburgh, United Kingdom
ISBN
9780748697373
SKU
V9780748697373
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Will Higbee
Will Higbee is Senior Lecturer in Film Studies at the University of Exeter (UK). He is the author of Mathieu Kassovitz (MUP, 2006) and has published widely on contemporary French cinema and diasporic filmmaking in France in journals such as Cineaste, Modern and Contemporary France and Studies in French Cinema.
Reviews for Post-beur Cinema: North African Émigré and Maghrebi-French Filmmaking in France since 2000 (Traditions in World Cinema)