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Semiotics of Exile in Contemporary Chinese Film (Semiotics and Popular Culture)
Hong Zeng
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Description for Semiotics of Exile in Contemporary Chinese Film (Semiotics and Popular Culture)
Hardcover. Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration. Series: Semiotics and Popular Culture. Num Pages: 185 pages, biography. BIC Classification: 1FPC; APFA. Category: (P) Professional & Vocational. Dimension: 224 x 138 x 15. Weight in Grams: 348.
Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.
Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.
Product Details
Format
Hardback
Publication date
2012
Publisher
Palgrave Macmillan
Number of pages
186
Condition
New
Series
Semiotics and Popular Culture
Number of Pages
177
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137002396
SKU
V9781137002396
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Hong Zeng
Hong Zeng is an assistant professor of Chinese language, literature, and film at Carleton College.
Reviews for Semiotics of Exile in Contemporary Chinese Film (Semiotics and Popular Culture)
"Hong Zeng presents a much-needed theoretical exploration of Chinese-language film. The theory of exile provides a shared platform to discuss not only a variety of otherwise non-comparable Chinese-language films but also some critical aspects of Chinese films that had been insufficiently studied." - Jie Zhang, assistant professor, Chinese Language, Literature and Cinema , Trinity College