Women and Death in Film, Television, and News
Joanne Clarke Dillman
€ 66.30
FREE Delivery in Ireland
Description for Women and Death in Film, Television, and News
Hardback. Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts. Num Pages: 218 pages, biography. BIC Classification: APFA; APT; JFSJ1; JHBZ. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 16. Weight in Grams: 405.
Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.
Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.
Product Details
Format
Hardback
Publication date
2014
Publisher
Palgrave Macmillan United Kingdom
Number of pages
218
Condition
New
Number of Pages
207
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137457684
SKU
V9781137457684
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Joanne Clarke Dillman
Joanne Clarke Dillman is Lecturer in Communication Arts and Culture at the University of Washington, Tacoma, USA.
Reviews for Women and Death in Film, Television, and News
“Women and Death in Film, Television and News analyzes the significance of images of dead female bodies across multiple texts, namely film, television and newspaper. … the analysis provides a convincing argument for the power of images and successfully articulates the relationship between images of dead women in the 2000s and the cultural environment in which they are produced.” (Jennifer ... Read more