Stock image for illustration purposes only - book cover, edition or condition may vary.
Popular Revenants: The German Gothic and Its International Reception, 1800-2000 (Studies in German Literature Linguistics and Culture)
Andrew (Ed) Cusack
€ 148.79
FREE Delivery in Ireland
Description for Popular Revenants: The German Gothic and Its International Reception, 1800-2000 (Studies in German Literature Linguistics and Culture)
Hardcover. The German Gothic and Its International Reception, 1800-2000. Series: Studies in German Literature, Linguistics, and Culture. 318 pages. Editor(s): Cusack, Andrew; Murnane, Barry. The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode. Cateogry: (P) Professional & Vocational. BIC Classification: 2ACG; DSB; DSK. Dimension: 235 x 162 x 30. Weight: 698.
The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode. The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly -- for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. Thisfirst book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to thepresent day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange -- both between cultures and between discourses. Contributors:Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany.
Product Details
Format
Hardback
Publication date
2012
Publisher
Camden House
Number of pages
318
Condition
New
Number of Pages
318
Place of Publication
Columbia, MD, United States
ISBN
9781571135193
SKU
V9781571135193
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Andrew (Ed) Cusack
ANDREW CUSACK is Senior Lecturer in German at the University of St Andrews. He worked previously as an Assistant Professor in Dublin before taking a postdoctoral fellowship of the Alexander von Humboldt Foundation at the Humboldt-Universität zu Berlin. In 2012, he joined the University of St Andrews. He is the author of The Wanderer in Nineteenth-Century German Literature: Intellectual History and Cultural Criticism (2008). Together with Barry Murnane he co-edited the volume Popular Revenants: The German Gothic and Its International Reception, 1800-2000 (2012) and has recently co-edited (with Michael White) a volume entitled Der Fontane-Ton: Stil im Werk Theodor Fontanes (2021). He has published widely on a range of topics in the "long nineteenth century" including articles on Büchner, Fontane, Heine, Mörike, Schiller, and on Karl Philipp Moritz. His second monograph: Johannes Scherr: Mediating Culture in the German Nineteenth Century was published by Camden House in 2021. ANDREW CUSACK is Senior Lecturer in German at the University of St Andrews. He worked previously as an Assistant Professor in Dublin before taking a postdoctoral fellowship of the Alexander von Humboldt Foundation at the Humboldt-Universität zu Berlin. In 2012, he joined the University of St Andrews. He is the author of The Wanderer in Nineteenth-Century German Literature: Intellectual History and Cultural Criticism (2008). Together with Barry Murnane he co-edited the volume Popular Revenants: The German Gothic and Its International Reception, 1800-2000 (2012) and has recently co-edited (with Michael White) a volume entitled Der Fontane-Ton: Stil im Werk Theodor Fontanes (2021). He has published widely on a range of topics in the "long nineteenth century" including articles on Büchner, Fontane, Heine, Mörike, Schiller, and on Karl Philipp Moritz. His second monograph: Johannes Scherr: Mediating Culture in the German Nineteenth Century was published by Camden House in 2021.
Reviews for Popular Revenants: The German Gothic and Its International Reception, 1800-2000 (Studies in German Literature Linguistics and Culture)
The collection as a whole points to the demand for a broader critical discourse on the Gothic within Germanistik and to some of the main questions that derive from here: how to trace the 'birth' of the German Gothic from the affect-based spirit of the late Enlightenment; how to chart its strategies of production and dissemination against terminological confusions, gaps, and silences in its international reception; and how to construct its diverse cultural genealogies beyond the framework of literary romanticism.
SEMINAR
[A] splendid collection of critical essays in the field of reception theory. . . . [A]n impressive assembly of critical voices, whose first-rate scholarly contribution is meant to last.
BRITISH ASSOCIATION FOR ROMANTIC STUDIES BULLETIN AND REVIEW
[T]he volume shows in a convincing and highly interesting way the legacy of the German Schauerroman, not only in other literatures but also in German from the early nineteenth century to the present.
YEAR'S WORK IN MODERN LANGUAGE STUDIES
[P]rovides concrete evidence of Slavoj Zizek's claim, in Paul A. Taylor's words, that 'a full understanding of what it is to experience reality as a human being requires acknowledgment that the spectral has a very real effect.
Michael Minden
MODERN LANGUAGE REVIEW
[A] polished, cohesive body of work . . . . Overall Cusack and Murnane have succeeded in assembling an important volume that addresses a significant lack in German Studies scholarship. . . . With its useful methodology and rich body of research, Popular Revenants will hopefully pave the way for future studies into the influence of German gothic 'revenants' . . . .
JOURNAL OF EUROPEAN STUDIES
[The editors] gather 13 essays that plumb the production of writers like Schiller, Heine, Schumann, Poe, Walter Scott, Hoffmann, and Raabe. . . . A worthy reentry into a forgotten field, this study with its fine index, footnotes, and comprehensive bibliography fills an egregious lacuna. . . . Recommended.
CHOICE
[A]n indispensable, highly relevant guide that clearly shows the strong influence of the Germanic strain of horror on the genre we know today.
RUE MORGUE MAGAZINE
SEMINAR
[A] splendid collection of critical essays in the field of reception theory. . . . [A]n impressive assembly of critical voices, whose first-rate scholarly contribution is meant to last.
BRITISH ASSOCIATION FOR ROMANTIC STUDIES BULLETIN AND REVIEW
[T]he volume shows in a convincing and highly interesting way the legacy of the German Schauerroman, not only in other literatures but also in German from the early nineteenth century to the present.
YEAR'S WORK IN MODERN LANGUAGE STUDIES
[P]rovides concrete evidence of Slavoj Zizek's claim, in Paul A. Taylor's words, that 'a full understanding of what it is to experience reality as a human being requires acknowledgment that the spectral has a very real effect.
Michael Minden
MODERN LANGUAGE REVIEW
[A] polished, cohesive body of work . . . . Overall Cusack and Murnane have succeeded in assembling an important volume that addresses a significant lack in German Studies scholarship. . . . With its useful methodology and rich body of research, Popular Revenants will hopefully pave the way for future studies into the influence of German gothic 'revenants' . . . .
JOURNAL OF EUROPEAN STUDIES
[The editors] gather 13 essays that plumb the production of writers like Schiller, Heine, Schumann, Poe, Walter Scott, Hoffmann, and Raabe. . . . A worthy reentry into a forgotten field, this study with its fine index, footnotes, and comprehensive bibliography fills an egregious lacuna. . . . Recommended.
CHOICE
[A]n indispensable, highly relevant guide that clearly shows the strong influence of the Germanic strain of horror on the genre we know today.
RUE MORGUE MAGAZINE