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The Overlocker Technique Manual: The Complete Guide to Serging and Decorative Stitching
Julia Hincks
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Description for The Overlocker Technique Manual: The Complete Guide to Serging and Decorative Stitching
paperback. From hemming and seaming, to decorative stitching, get the best from your machine. Num Pages: 128 pages, 250 colour. BIC Classification: WFB. Category: (G) General (US: Trade). Dimension: 246 x 190 x 9. Weight in Grams: 412.
For fast and professional edging, hemming, seaming, and decorative stitching, you simply can’t beat a serging machine. This all-skill-level book is the perfect guide to make sure you get the most out of your new machine (or out of that old serger that you’ve never got the hang of!) Photographs and step-by-step instructions guide you through the essential techniques, showing you how to set up your machine, how to adjust the settings to get the best results on a range of different fabrics, and how to edge your fabrics quickly with perfect results. The troubleshooting section provides tips and quick ... Read morefixes for skipped stitches, snapped threads, and uneven stitching. Also includes a buyer’s guide to different sergers, providing you with advice on finding the right machine for you.
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Product Details
Publisher
Search Press Ltd
Place of Publication
Tunbridge Wells, United Kingdom
Shipping Time
Usually ships in 2 to 4 working days
About Julia Hincks
Julia Hincks is a teacher and textile artist who has sewn, knitted and crocheted from an early age. Julia teaches dressmaking, pattern cutting and overlocking classes privately and at colleges in Brighton where she inspires adults to take up these crafts and improve their skills. Julia has developed a loyal following. She is the author of the best-selling title The Overlocker Technique ... Read moreManual (2014), which is now available in five languages. Julia lives in Brighton, UK. Find out more about her at www.juliahincks.com Show Less
Reviews for The Overlocker Technique Manual: The Complete Guide to Serging and Decorative Stitching
May 14 Are you too scared to get an overlocker out of its box? This book for all skills includes photographs, diagrams and illustrations with every basic detail to get started. Once you've got to grips with an overlocker, you'll never look back. It's easy to thread up and sew, edge fabrics quickly and create a perfect ... Read morefinish. Step-by-step instructions ensure you get the best results with any fabric, including knitting.
Machine Knitting Monthly
June 14 Whether you have just bought an overlocker for the first time, or you have had one for years but barely used it, this manual will enable you to get the most out of your machine! An in-depth introduction to the basics answers any questions you might have and explains with clear illustrations exactly how to use and adjust your overlocker for professional results. Once you are confi dent overlocking simple seams you can move onto the techniques section which is a comprehensive guide to the more decorative uses of an overlocker, including using different feet for gathering, beading and bias binding amongst others. Each technique is well illustrated with photographs and step-by-step instructions and the quick constructions allow you to practice the techniques you have learnt whilst simultaneously making desirable projects.
SEWING WORLD
Feb 14 Want a professional finish to your sewing? An overlocker is the answer. It provides professional seams, hems and edges. This manual provides step-by-step instructions to guide you through the essential techniques. Find out how to get the very best from your overlocker – it is more versatile than you think. A range of projects will help hone your skills. Useful for all skill levels; to learn, remind or keep as a resource. Clear instructions and photographs.
Karen Platt Yarnsandfabrics.co.uk/crafts
Aug 2014 This is the third of the books that Search Press sent to me for review purposes. I chose to review it because although more and more home sewists are investing in overlockers (or ‘sergers’), it seems to me that they are often perceived as ‘scary’ machines – so I thought this book might appeal! I bought my overlocker in 2011 and it probably wasn’t until last year that I actually nailed how to rethread the thing quickly. To be perfectly honest, it wasn’t the threading that was an issue: although a bit fiddly, I can do that bit in a couple of minutes. No, it was getting the tension of all the threads right that took hours. It became like a jackpot – sometimes I would rethread and it would be fine straight away, and other times I would fiddle about for hours. One day last year, out of pure frustration, whilst feeding my test scraps of fabric through and trying to get the right tension, I manually pulled each of the four threads in turn as they were feeding through, making the tension incredibly tight for a short time and then letting go and letting it feed through normally. For some unknown reason, it worked a treat, and this is what I do each time now if it isn’t working properly. So, it took me two years to be able to confidently rethread my machine. I knew my machine had uses other than finishing raw edges and sewing knits, but until a few weeks ago when I sat down in front of the overlocker with this book at hand, I hadn’t experimented at all. Why? I suppose time was a factor. Who wants to spend hours on end faffing around with an overlocker? I could make a dress in that time! But this book review was the incentive I needed to get down to business – how could I review a book properly without putting it to the test? Readers – I gave this book a thorough test. I worked my way through this book in maybe 5 or 6 hours, starting right at the beginning and working through in order. As I began to work through the book, my main question for the purposes of this review was: how is this book different to my instruction manual? After all, there is no value in buying a book that is the same as the overlocker’s manual (unless, of course, you don’t have the manual for your machine). The book is divided into three chapters: ‘Overlocking Basics’, ‘Techniques’ and ‘Quick Constructions’. Working in conjunction with this book and my overlocker instruction manual, I familiarised myself with what each bit of the overlocker is called and what it is/can be used for. Some of this I already knew, but I did learn some new things and as a result of the exercise I now have quite a thorough understanding of the machine. In the three years of owning my overlocker, only once have I changed the differential feed – I did this to help gather up the hem of a circle skirt. The book taught me that when the differential feed is a higher number than ‘N’ (normal), the front teeth of the feed dog move more quickly than the back teeth, and this creates gathering. When the differential feed is lower than ‘N’, the front teeth move more slowly than the back teeth, to create a stretch effect (depending upon the fabric type, of course). One thing that I had always found confusing in my overlocker manual was something it referred to as ‘size of bight’, and elsewhere in the manual ‘width of bite’. This ‘bight’/’bite': I had no idea what it was – only that I could widen it if I wanted. But the book taught me that it’s the cutting width – perhaps this ‘bight’/’bite’ is a translation error in my manual or something? Either way, I’m glad to have finally got that information straight! Under the guidance of this book, I learnt how to retract the upper knife, how to adjust the stitch width, and how to remove the stitch finger. This enabled me to stitch a teeny tiny rolled hem! I’m so pleased I learnt how to do this, I can definitely see me using this function a lot. I also learnt how to make pin-tucks on the overlocker, French seams, welt seams and fell seams. I would never have considered using my overlocker before for any of these seam finishes. It isn’t exactly rocket science, but it was good to learn some alternative methods. The book tells you how to use a variety of different attachments, such as elastic and beading attachments and piping, blind-hemming, gathering, bias binding, taping and cording feet. My machine only has one foot, but this foot doubles up as a cording foot due to the small hole in the top of the foot through which one can feed cord. With the help of the book I learnt how to overlock over a piece of cord or yarn (for decorative purposes), and how to overlock over stabilising tape, which will be useful when constructing seams of knit garments that need extra stabilisation, such as shoulder seams and waist seams. I didn’t have any clear elastic to practise with, but I imagine that would work on the same principle as the seam tape. So far so good. The techniques section of this book really did enable me to get to grips with my machine. I learnt new techniques that I will definitely use again, and these techniques were explained in a much clearer way than in my manual, and with clear photographs too. The ‘Quick Constructions’ section is comprised of a series of simple projects in which you can test out your newly acquired overlocking skills. The projects are basic, and nothing to write home about. The chapter does finish with a ‘Guide to Fabrics’ section though – giving guidance on different fabrics and what size needles they would be best paired with, what differential feed to use, what stitch length is best, suggested tension settings and tips on hemming techniques. These four pages are very, very useful. The biggest disappointment of this book was that there was no mention of the care and maintenance of your overlocker – for instance how (and where) to oil it, how to remove the needle plate and clean the feed dogs, how to change the bulb, the blades etc. After all the time I spent learning about how to use the machine, I felt so invested in it that I was willing to spend another hour giving it a mini home-service, but the book doesn’t touch on this at all, which I think is a great shame. I may have learnt a lot about the functionality of the machine, but I’m still a bit nervous about taking it to pieces to clean it properly! Boo! One other, small, gripe: it suggests overlocking with different types of thread to achieve different effects, for example using thread that changes colour, metallic thread, woolly nylon, embroidery thread, even yarn…which is all very well and good if these are wound onto a bobbin, but when I attempted to use some metallic pearl cotton from a skein, I was left wondering how on earth to wind it suitably and place it securely onto the bobbin holder?? Overall, this is a good book to have. I’ve learnt a lot from it and, although it is not tailored specifically to my exact model of machine, it has been a lot more useful than the manual itself has ever been. I would recommend the book to people who have overlockers with no manual, or to people who want to get more from their machines and try new techniques.
threadcarefully.com
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