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Cognition of the Literary Work of Art (Studies in Phenomenology and Existential Philosophy)
Roman Ingarden
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Description for Cognition of the Literary Work of Art (Studies in Phenomenology and Existential Philosophy)
Paperback. Num Pages: 436 pages. BIC Classification: HP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 159 x 27. Weight in Grams: 630.
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence.
The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available ... Read more
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence.
The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available ... Read more
Product Details
Format
Paperback
Publication date
1980
Publisher
Northwestern University Press
Condition
New
Number of Pages
436
Place of Publication
Evanston, United States
ISBN
9780810105997
SKU
V9780810105997
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Roman Ingarden
Roman Witold Ingarden (February 5, 1893 – June 14, 1970) was a Polish philosopher who worked in phenomenology, ontology and aesthetics. Before World War II, Ingarden published his works mainly in the German language. During the war, he switched to Polish, and as a result his major works in ontology went largely unnoticed by the wider world philosophical community.
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