Pike has a collector's passion for viaducts, arches, quarries, tunnels, sewers, and arcades, and for the many and varied things that nineteenth-century observers had to say about them. His enthusiasm is especially contagious in an era when long-term government neglect of infrastructure has filled the news with breached levees, collapsing bridges, neighborhoods falling off the power grid, and other end-of-the-world style disasters.... Following the lead of Walter Benjamin, Pike reflects brilliantly on the devil in Baudelaire, while he also uncovers plausible devil surrogates in Eugene Sue's Les Mysteres de Paris, in the Gothic genre (relocated from the country to the city), in detective stories (the detective as another limping devil, taking off the housetops to reveal the hidden world of connections), in film noir and neo-noir.
Bruce Robbins
Minnesota Review
Pike's book presents us with both a new of of spatializing capitalist modernity and a truly impressive archive of texts about the city and its underground spaces. The carefully chosen epigraphs dotted throughout each chapter speak volumes on their own, and the astonishing range of works and phenomenon analyzed within each chapter (from journalism to panoramas to the trench cities of World War I) are illustrated by many rare and wonderful images (110 in total).... Metropolis on the Styx's ambitious purview makes the density of material it analyzes necessary, for its arguments reach across space (from London to Paris) and time (spanning two full centuries).... All this breadth and depth makes for a work that is profoundly interdisciplinary, bringing together the interests of urban studies, English and comparative literature, history, art history, architecture, and geography as if to propose a new field—subterranean studies—and provide enough material to keep it going for some time.
Tanya Agathocleous
Victorian Studies
This is an engaging and erudite volume throughout. Pike avoids becoming overly mired in a quagmire of theoretical considerations, and his arguments are firmly grounded in the urban landscapes that are the subject of his analysis. His work is a welcome addition to a long line of literature critically concerned with the rise of the modern industrial metropolis.... It is recommended for any scholar interested in the form of the urban world as a product of technology and the evolution of our attitudes about it. I expect that it will find wide use in upper division courses in American studies, geography, and urban studies.
John P. McCarthy
Technology and Culture