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Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult
Luciano Chessa
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Description for Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult
Paperback. Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. This title emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Num Pages: 296 pages, 29 b/w photographs, 1 line illustration. BIC Classification: ACXD; AGB; AVH. Category: (P) Professional & Vocational. Dimension: 152 x 229 x 18. Weight in Grams: 406. Noise, Visual Arts, and the Occult. 296 pages, illustrations. Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. This title emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Cateogry: (P) Professional & Vocational. BIC Classification: ACXD; AGB; AVH. Dimension: 152 x 229 x 18. Weight: 406.
Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, ... Read more
Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, ... Read more
Product Details
Format
Paperback
Publication date
2012
Publisher
University of California Press
Number of pages
296
Condition
New
Number of Pages
296
Place of Publication
Berkerley, United States
ISBN
9780520270640
SKU
V9780520270640
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Luciano Chessa
Luciano Chessa, a composer and musicologist, teaches music history at the San Francisco Conservatory.
Reviews for Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult
"In the spirit of the project, a review of it could simply read (to paraphrase a portmanteau word made up by Futurist Giacomo Balla in 1920): Chessa splendidwavesintonednoiseswordsluminousssss!" The Wire "The most comprehensive source of Russolo available in English." Examiner.com "Reconciles Russolo's artistic temperament, spiritual awakenings, and philosophical entanglements." Performa Magazine "Luciano Chessa reconstructs Russolo's life through ambitious archival research, ... Read more