“Tejaswini Niranjana listens to the tones and echoes of Indianness in the Caribbean and elaborates a South–South genealogy that obligates us to reconceive the cultural geography of modernity. From the ‘moral status of the coolie woman’ in British colonialist and Indian nationalist discourses to the figure of the ‘Indian woman’ in Afro-Trinidadian calypso, Hindi cinema musics, and female chutney-soca performances, she pronounces the gendered rhythms of popular music as subaltern cultural politics.”—Lisa Lowe, author of Immigrant Acts: On Asian American Cultural Politics “Tejaswini Niranjana’s fine achievement in Mobilizing India is to have given shape to a compelling way of rethinking the conceptual agenda for the comparative study of the Third World.”—David Scott, author of Conscripts of Modernity: The Tragedy of Colonial Enlightenment “Mobilizing India. . . is a sophisticated, well-written, and engaging book which does indeed-as promised- provide a model for comparative cultural research across the global South. Those interested in Caribbean cultural studies, in the development of popular music in postcolonial societies, in identity and gender politics in a multiracial polity, will all find much that is valuable and original in this book.”
Bridget Brereton
Canadian Journal of Latin American and Caribbean Studies
“Niranjana . . . has written a sophisticated study of women, diasporic dynamics, and ethnic identity in Indo-Trinidadian society, using popular music as a lens though which to view these. . . . Her book is certainly recommended reading for students and scholars of South Asian diasporas and Caribbean studies.”
Peter Manuel
Ethnomusicology