This is not a jolly romp through the works of Miss Edgeworth but an adversarial speech for the prosecution of those who eliminated the 'cultural centrality' of women writers of the nineteenth O Gallchoir before or after embarking on a feast of Edgeworth? The only Enlightened answer is a question - why not both? Books Ireland Dec 2005 A highly political writer, she turns her domestic settings into public spaces, making previously marginal voices heard ... Edgeworth helped to create a space for Ireland and for women. Her work is still relevant and still worth reading, as O Gallchoir's reassessment of her demonstrates. Irish Democrat 2006 Cliona O Gallchoir offers an ingenious hybridity, of Ireland and pre- and post-Revolutionary France, and elite with popular cultural forms. If Edgeworth is an 'Irish' writer, she is so in ways that favour the importation into her work of French fashion, femininity and language. The effect, it is claimed, is to challenge a nation-building based on the exclusion of women from the public sphere. Times Literary Supplement, Feb 2006 O Gallchoir's book is a welcome addition to the literature, particularly in forwarding the possibilities of using the Enlightenment as a conceptual tool in thinking about Ireland in the period ... in offering a reading of Edgeworth as a landed Whig, she is surely on the right track. Michael Brown, Trinity College Irish Literary Supplement Fall 2006 Cliona O Gallchoir's Maria Edgeworth: Women, Enlightenment and Nation is a welcome and timely reappraisal of a complex and neglected author's contribution to Irish literature. Informed by an awareness of the particularly precarious position of the Irish woman writer, Gallchoir rereads Edgeworth's construction of Irishness within the discourses of Enlightenment and gender ... [it] should resurrect wide academic interest in a strain of complex and undervalued Irish women's fiction. Irish Studies Review 15 (1) 2007