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Bram Stoker, Dracula and the Victorian Gothic Stage
Catherine Wynne
€ 63.16
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Description for Bram Stoker, Dracula and the Victorian Gothic Stage
paperback. Bram Stoker, Dracula and the Victorian Gothic Stage re-appraises Stoker's key fictions in relation to his working life. It takes Stoker's work from the margins to centre stage, exploring how Victorian theatre's melodramatic and Gothic productions influenced his writing and thinking. Series: Palgrave Gothic. Num Pages: 204 pages, biography. BIC Classification: AN; AP; DSBD; JFC; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. .
Bram Stoker, Dracula and the Victorian Gothic Stage re-appraises Stoker's key fictions in relation to his working life. It takes Stoker's work from the margins to centre stage, exploring how Victorian theatre's melodramatic and Gothic productions influenced his writing and thinking.
Bram Stoker, Dracula and the Victorian Gothic Stage re-appraises Stoker's key fictions in relation to his working life. It takes Stoker's work from the margins to centre stage, exploring how Victorian theatre's melodramatic and Gothic productions influenced his writing and thinking.
Product Details
Format
Paperback
Publication date
2013
Publisher
Palgrave Macmillan United Kingdom
Number of pages
204
Condition
New
Series
Palgrave Gothic
Number of Pages
195
Place of Publication
Basingstoke, United Kingdom
ISBN
9781349452545
SKU
V9781349452545
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Catherine Wynne
Catherine Wynne is Senior Lecturer in English at the University of Hull, UK. She is editor of Bram Stoker and the Stage: Reviews, Reminiscences, Essays and Fiction (2012), author of The Colonial Conan Doyle (2002) and co-editor (with Sabine Vanacker) of Sherlock Holmes and Conan Doyle: Multi-Media Afterlives (2012).
Reviews for Bram Stoker, Dracula and the Victorian Gothic Stage
"Bram Stoker, Dracula and the Victorian Gothic Stage does an admirable job of placing Dracula in conversation with the literary Gothic, supernatural Gothic, and melodramatic drama on offer at Irving's Lyceum Royal Theatre. It also situates the novel in relation to the function of science, literature, and the theatre in "legitimixing brutality" towards women as a means of rehabilitating them." ... Read more