Lisa Gitelman provides a provocative set of microhistories that expand our conceptualization (and confusion) of the history of physical and electronic documents....The intended reader is not just the historian but everyone thinking about the future of the humanities.
Jonathan Coopersmith
American Historical Review
If Paper Knowledge offers one crucial insight to the conversation about print ... Read moreand technology it is that 'print culture' as a category is highly problematic because it presupposes certain kinds of print and leaves too much out.
Nicole Howard
Technology and Culture
Gitelman offers keen insights into the constitutive nature of documents in modern social life. Merging wittiness, casualness, and rigor, she crafts a nuanced picture of the document and some ofits key genres. ... A must-read for media studies and digital media; useful for those interested in communication, cultural studies, and sociology. Highly recommended. Upper-division undergraduates through faculty.
W. Alvarez
Choice
For young scholars navigating the worlds of online and print publishing, and all the meanings and values placed on those outputs, Gitelman's reflections prove immensely insightful at a defining moment when paper no longer rules.
Mel Hogan
Archives and Manuscripts
The history of documents carries great significance, perhaps more than any of us could have realized, and Gitelman's comprehensive scholarship in this book establishes a new agenda, one that celebrates the past and charts the course of the document. This book provides educational support for researchers in information science, media history, and the digital humanities.
Melony Shemberger
Journalism and Mass Communication Educator
Gitelman's richly detailed excavation of institutional artifacts that shape material and semiotic processes (such as the `job printed'blank form and the PDF file) encourages rhetorical critics to stop flattening media into texts and start fleshing out documents as media with specific histories and utilities, transient technologies that leave a substantial wake in their passage through social worlds.
Joan Faber McAlister
Quarterly Journal of Speech
Every chapter in Paper Knowledge stands on its own as a complete history. Each chapter provides the reader with a better understanding of the symbiotic relationship between printed document and the global economy. ... Paper Knowledge turns the focus of Media Studies from the Big Cultural Object and applies the same rigor to printed objects that were never designed to be noticed in the first place. And these forgotten objects carry with them the history of how we really understand the richness of media in our lives.
John Rodzvilla
Publishing Research Quarterly
The proliferation of marriage certificates and death warrants holds few terrors for Lisa Gitelman, who finds richness rather than ennui in them. Her ingenious essay in media archaeology, Paper Knowledge, takes as its central category the document. The document is a material genre; the words matter, but so too does their physical instantiation, which is often accompanied by a baroque flummery of water-marks, seals and signatures. And the document is remarkable as a product of print that does not ask to be read. Instead, documents are used to hold us in place within a web of bureaucratic institutions.
Jason Scott-Warren
Times Literary Supplement
A well-rounded exploration of publishing technology and how it transforms every aspect of our lives, from the way we are governed to the way we read books and news.
Alexander von Lunen
Somatosphere
Gitelman practices a kind of conceptual archeology without obeisance to the master, in an argument that stands well on its own. . . . By the time you reach the book's final chapter, on the rise of PDF, the relationship between the history of ground-level print culture and that of its Ivory Tower analog seem linked in so many suggestive ways that the advent of digital culture seems like just one part of an intricate pattern.
Scott McLemee
Inside Higher Ed
In all cases, Gitelman offers a meticulous reconstruction of the historical context of the media changes she foregrounds and in many regards this book is a real Wunderkammer. At the same time, however, the author always scrutinizes the past in order to show what it can mean for us today, and here the political dimension of the book comes to the fore. For Paper Knowledge is also a passionate discussion of what knowing and showing are about, namely the possibility to producing, sharing, debating knowledge in a society to opens this knowledge to all of its members and whose structure, thanks to technology, is no longer determined by those who know and show and those who don't.
Jan Baetens
Leonardo Reviews
Four intriguing essays make up this tantalising and ambitious short book. . . . The strength of this bold volume is in its argument that we can learn a great deal if we focus, not only on what information they contain but what institutional and social function they serve; not what they're about but what they do.
Colin Higgins
Times Higher Education
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