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The Big Trial. Law as Public Spectacle.

Lawrence M. Friedman

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Description for The Big Trial. Law as Public Spectacle. Major criminal trials have fascinated the American public for centuries; this book is the first to explain their nature, and their role in society. Num Pages: 224 pages. BIC Classification: JFD; LAQ. Category: (G) General (US: Trade). Dimension: 203 x 140 x 25. Weight in Grams: 440.
The trial of O. J. Simpson was a sensation, avidly followed by millions of people, but it was also, in a sense, nothing new. One hundred years earlier the Lizzie Borden trial had held the nation in thrall. The names (and the crimes) may change, but the appeal is enduring—and why this is, how it works, and what it means are what Lawrence Friedman investigates in The Big Trial.

What is it about these cases that captures the public imagination? Are the “headline trials” of our period different from those of a century or two ago? And what do ... Read morewe learn from them, about the nature of our society, past and present? To get a clearer picture, Friedman first identifies what certain headline trials have in common, then considers particular cases within each grouping. The political trialz, for instance, embraces treason and spying, dissenters and radicals, and, to varying degrees, corruption and fraud. Celebrity trials involve the famous—whether victims, as in the case of Charles Manson, or defendants as disparate as Fatty Arbuckle and William Kennedy Smith—but certain high-profile cases, such as those Friedman categorizes as tabloid trials, can also create celebrities. The fascination of whodunit trials can be found in the mystery surrounding the case: Are we sure about O. J. Simpson? What about Claus von Bulow—tried, in another sensational case, for sending his wife into a coma? An especially interesting type of case Friedman groups under the rubric worm in the bud. These are cases, such as that of Lizzie Borden, that seem to put society itself on trial; they raise fundamental social questions and often suggest hidden and secret pathologies. And finally, a small but important group of cases proceed from moral panic, the Salem witchcraft trials being the classic instance, though Friedman also considers recent examples.

Though they might differ in significant ways, these types of trials also have important similarities. Most notably, they invariably raise questions about identity (Who is this defendant? A villain? An innocent unfairly accused?). And in this respect, The Big Trial shows us, the headline trial reflects a critical aspect of modern society. Reaching across the nineteenth and twentieth centuries to the latest outrage, from congressional hearings to lynching and vigilante justice to public punishment, from Dr. Sam Sheppard (the “fugitive”) to Jeffrey Dahmer (the “cannibal”), The Rosenbergs to Timothy McVeigh, the book presents a complex picture of headline trials as displays of power—moments of “didactic theater” that demonstrate in one way or another whether a society is fair, whom it protects, and whose interest it serves. Show Less

Product Details

Publication date

2015

Publisher

University Press of Kansas United States

Number of pages

224

Condition

New

Number of Pages

224

Format

Hardback

Place of Publication

Kansas, United States

ISBN

9780700620777

SKU

V9780700620777

Shipping Time

Usually ships in 15 to 20 working days

Ref

99-12

About Lawrence M. Friedman

Lawrence M. Friedman is Marion Rice Kirkwood Professor at Stanford Law School, USA. He is the author, among other works, of A History of American Law; The Legal System: A Social Science Perspective; Crime and Punishment in American History; and The Human Rights Culture.

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The Big Trial. Law as Public Spectacle.

Lawrence M. Friedman

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