Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century
Lara Stevens
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Description for Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century
Hardcover. Num Pages: 234 pages, biography. BIC Classification: 3JM; DSBH; DSG. Category: (G) General (US: Trade). Dimension: 210 x 148 x 18. Weight in Grams: 437.
Examining the ways in which contemporary Western theatre protests against the ‘War on Terror’, this book analyses six twenty-first century plays that respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, Hélène Cixous and Tony Kushner.
Anti-war Theatre After Brecht grapples with the problem of how to make theatre that protests the policies of democratically elected Western governments in a post-Marxist era. It shows how the Internet has become a key tool for disseminating anti-war ... Read more
Show LessProduct Details
Format
Hardback
Publication date
2016
Publisher
Palgrave Macmillan
Condition
New
Number of Pages
224
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137538871
SKU
V9781137538871
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Lara Stevens
Dr Lara Stevens was the 2014 Hugh Williamson Postdoctoral Fellow in the Australian Centre at the University of Melbourne, Australia. She is the editor and translator of a collection of essays on performance by feminist philosopher and playwright Hélène Cixous, Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil.
Reviews for Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century
“Stevens’s Anti-War Theatre after Brecht is an insightful study which investigates anti-war theatre from a new angle through its Brechtian framework. Especially for those interested in Brechtian aesthetics, contemporary political theatre and its attempts at offering counter-discourses and imagining alternative spaces, it represents a valuable contribution to these ongoing debates.” (Anja Hartl, Journal of Contemporary Drama in English, Vol. 6 ... Read more