Fabrice D'Almeida begins by examining high society in the Weimar period, dominated by the old imperial aristocracy and a new republican aristocracy of government officials and wealthy businessmen. It was in this group that Hitler made his social debut in the early 1920s through the mediation of conservative friends and artists, including the family ... Read moreof the composer Richard Wagner. By the end of the 1920s, he enjoyed wide support among socialites, who played a significant role in his access to power in 1933. Their adherence to the Nazi regime, and the favors they received in return, continued and even grew until defeat loomed on the horizon.

D'Almeida shows how members of German high society sought to outdo each other in showing zealous support for Hitler, how the old elites starting with the Kaiser's sons partied alongside parvenus, and how actors, aristocrats, SS technocrats, and diplomats came together to form a strange imperial court. Women also played a role in this theatre of power; they were persuaded that they had gained in dignity what they had lost in civil rights.

There emerges a fascinating and disturbing picture of a group that allowed nothing - not war, the plundering of Europe, nor the extermination of peoples - to alter their cynical enjoyment of pleasures: hunting, regattas, the opera, balls, dinners and tennis. More than a study of a class or a chronicle, this book lifts the veil that has concealed a society that used secrecy to protect itself.

High Society in the Third Reich makes an important and unique contribution to the current reevaluation of the extent to which German society, including German high society, was responsible for Hitler's accession to power and the crimes that were committed by his regime.