In the Shadow of World Literature contributes to a growing body of work in comparative literature that takes up Arabic language and literature, and offers a significant new approach to how Arabic traditions of learning, recitation, and instruction mediate the constitution of the literary object. I know of no other book that examines ways of reading in quite this way. ... Read more-Emily Apter, author of Against World Literature: On the Politics of Untranslatability In the Shadow of World Literature is beautifully written, well argued, and accessible to an audience ranging from the educated public to literary experts. Allan carefully weaves his argument, simultaneously practicing and critiquing world literature in the best comparative sense possible. -Tarek El-Ariss, author of Trials of Arab Modernity: Literary Affects and the New Political Allan compellingly rethinks the category of world literature for its role in promoting distinctions between literate and illiterate, rational and irrational, and cosmopolitan and fanatic in colonial Egypt. These distinctions, he argues insightfully, are important to the ways that literary sensibilities affect the reception of religious and scriptural traditions. In the Shadow of World Literature illuminates how literature's mediation of the world experienced by readers prompts different responses that shape new forms of secular criticism in postcolonial societies. -Gauri Viswanathan, Columbia University With impressive learning and critical insight, Allan argues that the arrival of modern Arabic writing into the space of world literature is a sign not so much of its progress as of the emergence of a new discipline that shapes particular reading practices as proper and dismisses others as ignorant. This is a truly remarkable work about the transformation of sensibilities that underlie the modern concept of progressive politics. -Talal Asad, author of Formations of the Secular Allan's incisive In the Shadow of World Literature: Sites of Reading in Colonial Egypt mobilizes reading as a framework for interrogating the now ubiquitous field of world literature. . . . In the Shadow of World Literature's critical self-positioning of its own sites of reading (US academia, comparative literature, the Egyptian colonial archive), alongside consistent signposting for the book's broader argument, are a refreshing departure from the stylistic tendencies of most first monographs.
-Hoda El Shakry, Journal of Arabic Literature Co-Winner of the 2016 MLA Prize for a First Book, Modern Language Association Show Less