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Musical Revolutions in German Culture: Musicking Against the Grain, 1800-1980 (Studies in European Culture and History)
Mirko M. Hall
€ 127.28
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Description for Musical Revolutions in German Culture: Musicking Against the Grain, 1800-1980 (Studies in European Culture and History)
Hardcover. Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries. Series: Studies in European Culture and History. Num Pages: 230 pages, biography. BIC Classification: 1DFG; 3JH; 3JJ; AV; JFC. Category: (P) Professional & Vocational. Dimension: 224 x 143 x 18. Weight in Grams: 404.
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
Product Details
Format
Hardback
Publication date
2014
Publisher
Palgrave Macmillan
Condition
New
Series
Studies in European Culture and History
Number of Pages
214
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137453365
SKU
V9781137453365
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Mirko M. Hall
Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA.
Reviews for Musical Revolutions in German Culture: Musicking Against the Grain, 1800-1980 (Studies in European Culture and History)
“Hall’s book is engaging, stimulating and generative. … Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians—or better, ‘destructive musickers’—in their own right. … Musical Revolutions is a compelling and well-crafted provocation for future scholars to ‘Bring the Noise.’” (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016)