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Capital Culture
Neil Harris
€ 32.99
€ 25.94
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Description for Capital Culture
Paperback. Num Pages: 616 pages. BIC Classification: 1KBB; 3JJP; ABC; GM. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 38. Weight in Grams: 862.
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown's achievement and the growth of museum culture during ... Read more
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown's achievement and the growth of museum culture during ... Read more
Product Details
Format
Paperback
Publication date
2016
Publisher
The University of Chicago Press United States
Number of pages
616
Condition
New
Number of Pages
616
Place of Publication
, United States
ISBN
9780226434469
SKU
V9780226434469
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Neil Harris
Neil Harris is the Preston and Sterling Morton Professor of History and Art History Emeritus at the University of Chicago. His books include The Artist in American Society; Humbug: The Art of P. T. Barnum; Cultural Excursions: Marketing Appetites and Cultural Tastes in Modern America; and The Chicagoan: A Lost Magazine of the Jazz Age.
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