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13%OFFMaria Renold - Intervals, Scales, Tones: And the Concert Pitch c = 128 Hz - 9781906999735 - V9781906999735
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Intervals, Scales, Tones: And the Concert Pitch c = 128 Hz

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Description for Intervals, Scales, Tones: And the Concert Pitch c = 128 Hz Paperback. Translator(s): Stevens, Bevis. Num Pages: 208 pages. BIC Classification: AVA; AVS. Category: (G) General (US: Trade). Dimension: 299 x 211 x 17. Weight in Grams: 626.
Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data. Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times. She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she also elucidates many of Steiner's often puzzling statements about music. The results of her work include the following discoveries: that the octave has two sizes (a 'genuine' sounding octave is bigger than the 'perfect' octave); that there are three sizes of 'perfect' fifths; that an underlying 'form principle' for all scales can be found; and, most importantly, the discovery of a method of tuning the piano which is more satisfactory than equal temperament. She also gives foundation to some of Rudolf Steiner's statements such as: 'c is always prime' and 'c = 128 Hz = Sun'.

Product Details

Publisher
Temple Lodge Publishing
Format
Paperback
Publication date
2015
Condition
New
Number of Pages
208
Place of Publication
East Sussex, United Kingdom
ISBN
9781906999735
SKU
V9781906999735
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-2

About Maria Renold
MARIA RENOLD (1917-2003) spent her childhood in the United States, where her parents emigrated to found a eurythmy school in New York. She studied eurythmy and later violin and viola and toured with the Bush Chamber Orchestra and the Bush String Quartet. One of Maria Renold's deeply-felt questions concerned the correct concert pitch. When she heard of Rudolf Steiner's concert pitch suggestion of c = 128 Hz she put it into practice immediately, and experimented with it over many years in America and Europe. She also discovered a new method of tuning the piano, closer to the tuning of stringed instruments, arriving at the concert pitch of a1 = 432 Hz. First published in German in 1985, her book has become a modern classic of musical research.

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