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How New York Stole the Idea of Modern Art
Serge Guilbaut
€ 38.84
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Description for How New York Stole the Idea of Modern Art
Paperback. An interpretation of the political and cultural history of the early cold war years. The author argues that art is part of the general culture, not autonomous or above it. Translator(s): Goldhammer, A. Num Pages: 288 pages, facsimiles. BIC Classification: 1KBB; ACXD. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 154 x 17. Weight in Grams: 434.
A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself. -- New York Times Book Review
A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself. -- New York Times Book Review
Product Details
Publisher
The University of Chicago Press United States
Number of pages
288
Format
Paperback
Publication date
1985
Condition
New
Number of Pages
288
Place of Publication
, United States
ISBN
9780226310398
SKU
V9780226310398
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Serge Guilbaut
Serge Guilbaut is professor and department head in the Department of Fine Arts at the University of British Columbia.
Reviews for How New York Stole the Idea of Modern Art