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Russian Culture and Theatrical Performance in America, 1891-1933 (Palgrave Studies in Theatre and Performance History)
Valleri J. Hohman
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Description for Russian Culture and Theatrical Performance in America, 1891-1933 (Palgrave Studies in Theatre and Performance History)
Hardcover. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century. Series: Palgrave Studies in Theatre and Performance History. Num Pages: 220 pages, biography. BIC Classification: 1DVUA; 1KBB; 3JH; 3JJC; 3JJF; 3JJG; AN; JFC. Category: (P) Professional & Vocational. Dimension: 218 x 143 x 17. Weight in Grams: 386.
Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
Product Details
Format
Hardback
Publication date
2011
Publisher
Palgrave Macmillan
Number of pages
222
Condition
New
Series
Palgrave Studies in Theatre and Performance History
Number of Pages
209
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230113688
SKU
V9780230113688
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Valleri J. Hohman
VALLERI J. HOHMAN is an Assistant Professor in the Department of Theatre at the University of Illinois at Urbana-Champaign, USA.
Reviews for Russian Culture and Theatrical Performance in America, 1891-1933 (Palgrave Studies in Theatre and Performance History)
'Hohman writes engagingly, and recounts many fascinating episodes in the history of Russian performance in the U.S. during the period she covers.' -Anne Winestein, Ballet Russes Cultural Partnership with Boston University, The NEP Era: Soviet Russia 1921-1928