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The Art of Twentieth-Century American Poetry: Modernism and After
Charles Altieri
€ 113.26
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Description for The Art of Twentieth-Century American Poetry: Modernism and After
Hardcover. Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. * Encourages readers to identify with the modernists' sense of the revolutionary possibilities of their art. Series: Blackwell Introductions to Literature. Num Pages: 264 pages, 2 illustrations. BIC Classification: 1KBB; 2AB; DSBH; DSC. Category: (P) Professional & Vocational. Dimension: 242 x 167 x 21. Weight in Grams: 512.
Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems.
Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems.
- Encourages readers to identify with the modernists’ sense of the revolutionary possibilities of their art.
- Embraces four generations of modernist American poets up through to the 1980s.
- Gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry.
- Includes close readings of particular poems which show how readers can use these works to connect with what concerns them.
Product Details
Format
Hardback
Publication date
2006
Publisher
John Wiley and Sons Ltd United Kingdom
Number of pages
264
Condition
New
Series
Blackwell Introductions to Literature
Number of Pages
264
Place of Publication
Hoboken, United Kingdom
ISBN
9781405121064
SKU
V9781405121064
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Charles Altieri
Charles Altieri is Stageberg Professor of English at the University of California, Berkeley. His previous publications include The Particulars of Rapture: An Aesthetics of the Affects (2003), Subjective Agency: A Theory of First-person Expressivity and its Social Implications (Blackwell, 1994), Postmodernism Now (1999), and Painterly Abstraction in Modernist American Poetry (1990).
Reviews for The Art of Twentieth-Century American Poetry: Modernism and After
"Altieri reads modernist poetry with deep attention and pleasure because he believes that the “gamble” taken by modernism is worth our continued respect. That gamble is the possibility that these poems are not “an accompaniment to the world but the realization of how mind and world become one dynamic field.” Situating the experiments of modernist poetry in the context of ... Read more