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The Hip-Hop Underground and African American Culture: Beneath the Surface
J. Peterson
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Description for The Hip-Hop Underground and African American Culture: Beneath the Surface
Hardback. The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop. Num Pages: 200 pages, biography. BIC Classification: 1KBB; AVGR; HBTB; JFC; JFSL3. Category: (P) Professional & Vocational. Dimension: 146 x 218 x 17. Weight in Grams: 368.
The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop.
The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop.
Product Details
Publisher
Palgrave Macmillan
Format
Hardback
Publication date
2014
Condition
New
Weight
367g
Number of Pages
187
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137305244
SKU
V9781137305244
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About J. Peterson
James Braxton Peterson is an associate professor in the Department of English and the director of Africana Studies at Lehigh University.
Reviews for The Hip-Hop Underground and African American Culture: Beneath the Surface
“The Hip-Hop Underground is an exciting and important read that leaves, as any good text does, readers with many questions and a taste for further review of the pieces of culture that those of us in black communities remember, expunge, and hold forever dear.” (Andreana Clay, Journal of American History, Vol. 103, 2016)