The issues and the framework of the study are clearly defined by the author as well as the comings and goings between the theories and films, which are articulated in a clear and legitimate way and contribute to the great interest of this book for those who are interested in the war movie genre.
Vingti me Si cle. Revue d'histoire ... Read more [Binns's] monograph on the Hollywood war film is not the first book on this subject or even the first with this title, but he brings a more theoretically-informed and less historicist approach to bear on the topic than previous scholars. He draws thoughtfully on the best and best-known works on the topic, including those by Paul Virilio, Jeanine Basinger, and Robert Eberwein. Over the course of an introduction and four chapters, he works to elicit a new understanding of the war film genre and, in the process, of generic formation more generally.
Pearl James, Film & History Genre analysis, as Robert Stam warned, is always in danger of narrowness, normativism, monolithic definitions and biologism. Daniel Binns' The Hollywood War Film has avoided such pitfalls by offering a reading of the genre that captures its shifting nature across time and forms, starting with the grand narratives of Hollywood to more recent video games. . . . The Hollywood War Film is a significant contribution to the study of cinematic genres and will appeal to both specialists in the field of film studies and students.
Iqbal Barkat, Macquarie University, Global Media Journal: Australian Edition Show Less