Stock image for illustration purposes only - book cover, edition or condition may vary.
Queer Cinema in the World
Karl Schoonover
€ 153.68
FREE Delivery in Ireland
Description for Queer Cinema in the World
Hardback. Offering a new theory of queer world cinema, Karl Schoonover and Rosalind Galt explore how it intersects with shifting ideals of global politics and cinema aesthetics to demonstrate its potential to disturb dominant modes of world making and to forge spaces of queer belonging. Num Pages: 408 pages, 109 illustrations. BIC Classification: 5SG; APFA; JFSK. Category: (G) General (US: Trade). Dimension: 162 x 238 x 26. Weight in Grams: 706.
Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
Product Details
Format
Hardback
Publication date
2016
Publisher
Duke University Press
Condition
New
Number of Pages
408
Place of Publication
North Carolina, United States
ISBN
9780822362463
SKU
V9780822362463
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Karl Schoonover
Karl Schoonover is Associate Professor and Reader in Film and Television Studies at the University of Warwick and the author of Brutal Vision: The Neorealist Body in Postwar Italian Cinema. Rosalind Galt is Professor of Film Studies at King's College London and the author of Pretty: Film and the Decorative Image.
Reviews for Queer Cinema in the World
"Absolutely productive and provocative. . . . An important intervention that has stakes for the field of media studies [and] for social justice."
Regina Longo
Film Quarterly
"Queer Cinema in the World is both brilliant and maddening. It is a daring attempt by Schoonover and Galt to explode the relationship between queer theory and film studies that is bound by Western intellectual conventions. Highly recommended."
G. R. Butters Jr.
Choice
"A wildly ambitious configuring of contemporary queer cinema that has no less than a holistic revision of cinematic representation on its mind. . . . Queer Cinema in the World belongs on the bookshelf of anyone who consistently grapples with understanding human difference as a positive quality of social and political life."
Clayton Dillard
Slant Magazine
"[A] willingness to attend to the surprising ways and spaces where queer cinema can appear is part of what makes the book so dizzyingly comprehensive and enjoyable. . . . This commitment to searching out queer world cinema’s as yet unthought possibilities of pleasure and intimacy shines through."
Brandon Kemp
Hong Kong Review of Books
"Queer Cinema in the World is a work of remarkable capaciousness and intellectual adventure, written in welcome defiance of the scholarly demand for tight focus and narrow specialization. Maximalist rather than minimalist, it offers a wide view that, among its other pleasures, will provide many readers with introductions to neglected films and filmmakers as well as with compelling treatments of works that are now part of the canon of queer cinema."
Corey K. Creekmur
Cineaste
"By providing such an array of critical analysis and scholarly resources and by showcasing diverse filmic expressions of queer identity, the authors successfully open countless channels for future research, crucial to creating a larger space for and attention to queer representations in cinema and society at large."
Joanna Randall
Journal of Film and Video
"Wonderfully ambitious and carefully argued."
Lindsey Green-Simms
College Literature
"Theoretically daring. . . . it is not difficult to see [Queer Cinema in the World] serving as a cornerstone of future scholarship on queer cinema, and the authors should be commended."
James Hodgson
Screen
Regina Longo
Film Quarterly
"Queer Cinema in the World is both brilliant and maddening. It is a daring attempt by Schoonover and Galt to explode the relationship between queer theory and film studies that is bound by Western intellectual conventions. Highly recommended."
G. R. Butters Jr.
Choice
"A wildly ambitious configuring of contemporary queer cinema that has no less than a holistic revision of cinematic representation on its mind. . . . Queer Cinema in the World belongs on the bookshelf of anyone who consistently grapples with understanding human difference as a positive quality of social and political life."
Clayton Dillard
Slant Magazine
"[A] willingness to attend to the surprising ways and spaces where queer cinema can appear is part of what makes the book so dizzyingly comprehensive and enjoyable. . . . This commitment to searching out queer world cinema’s as yet unthought possibilities of pleasure and intimacy shines through."
Brandon Kemp
Hong Kong Review of Books
"Queer Cinema in the World is a work of remarkable capaciousness and intellectual adventure, written in welcome defiance of the scholarly demand for tight focus and narrow specialization. Maximalist rather than minimalist, it offers a wide view that, among its other pleasures, will provide many readers with introductions to neglected films and filmmakers as well as with compelling treatments of works that are now part of the canon of queer cinema."
Corey K. Creekmur
Cineaste
"By providing such an array of critical analysis and scholarly resources and by showcasing diverse filmic expressions of queer identity, the authors successfully open countless channels for future research, crucial to creating a larger space for and attention to queer representations in cinema and society at large."
Joanna Randall
Journal of Film and Video
"Wonderfully ambitious and carefully argued."
Lindsey Green-Simms
College Literature
"Theoretically daring. . . . it is not difficult to see [Queer Cinema in the World] serving as a cornerstone of future scholarship on queer cinema, and the authors should be commended."
James Hodgson
Screen