Art as Performance
Dave Davies
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Description for Art as Performance
Paperback. * Elaborates and defends a broad conceptual framework for thinking about the arts. * Offers a provocative view about the kinds of things that artworks are and how they are to be understood. * Reveals important continuities and discontinuities between traditional and modern art. Series: New Directions in Aesthetics. Num Pages: 296 pages, black & white illustrations. BIC Classification: ABA; HPN. Category: (P) Professional & Vocational. Dimension: 227 x 155 x 15. Weight in Grams: 420.
In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.
- Elaborates and defends a broad conceptual framework for thinking about the arts.
- Offers a provocative view about the kinds of things that artworks are and how they are to be understood.
- Reveals important continuities and discontinuities between traditional and modern art.
- Highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.
Product Details
Format
Paperback
Publication date
2003
Publisher
John Wiley and Sons Ltd United Kingdom
Number of pages
296
Condition
New
Series
New Directions in Aesthetics
Number of Pages
304
Place of Publication
Hoboken, United Kingdom
ISBN
9781405116671
SKU
V9781405116671
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Dave Davies
David Davies is Associate Professor of Philosophy at McGill University and has published widely on topics in philosophy of art, metaphysics, philosophy of language, and philosophy of mind.
Reviews for Art as Performance
"David Davies’s Art as Performance is itself quite a performance. While agreeing with aesthetic contextualism’s rejection of empiricism in aesthetics, it presents a sophisticated and ingenious critique of, and alternative to, even the most enlightened contextualism about the nature, ontology, and value of art, holding that artworks are, all of them, performances by artists, rather than objects made by artists. ... Read more