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Deleuze and New Technology
David Savat
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Description for Deleuze and New Technology
Paperback. This volume explores the usefulness of Deleuze's thinking about our new digital and biotechnological future. Editor(s): Savat, David; Poster, Mark. Series: Deleuze Connections. Num Pages: 288 pages, 8 black & white line drawings. BIC Classification: HP. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 16. Weight in Grams: 428.
In a world where our lives are increasingly mediated by technologies it is surprising that more attention is not paid to the work of Gilles Deleuze. This is especially strange given Deleuze's often explicit focus and reliance on the machine and the technological. This volume offers readers a collective and determined effort to explore not only the usefulness of key ideas of Deleuze in thinking about our new digital and biotechnological future but, also aims to take seriously a style of thinking that negotiates between philosophy, science and art. This exciting collection of essays will be of relevance ... Read more
In a world where our lives are increasingly mediated by technologies it is surprising that more attention is not paid to the work of Gilles Deleuze. This is especially strange given Deleuze's often explicit focus and reliance on the machine and the technological. This volume offers readers a collective and determined effort to explore not only the usefulness of key ideas of Deleuze in thinking about our new digital and biotechnological future but, also aims to take seriously a style of thinking that negotiates between philosophy, science and art. This exciting collection of essays will be of relevance ... Read more
Product Details
Publisher
Edinburgh University Press
Number of pages
288
Format
Paperback
Publication date
2009
Series
Deleuze Connections
Condition
New
Number of Pages
288
Place of Publication
Edinburgh, United Kingdom
ISBN
9780748633388
SKU
V9780748633388
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-10
About David Savat
Dr David Savat is Chair of Communication Studies at the University of Western Australia. Mark Poster is Professor of History and a member of the Department of Film and Media Studies at the University of California, Irvine.
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