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Clive Cazeaux - Metaphor and Continental Philosophy: From Kant to Derrida: 23 - 9780415324007 - V9780415324007
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Metaphor and Continental Philosophy: From Kant to Derrida: 23

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Description for Metaphor and Continental Philosophy: From Kant to Derrida: 23 hardcover. Examines the relationship between metaphor, art and science against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. This book explores the impact which the notion of cognitive metaphor has on key positions and concepts within aesthetics, epistemology and the philosophy of science. Series: Routledge Studies in Twentieth Century Philosophy. Num Pages: 240 pages, black & white illustrations. BIC Classification: HP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 156 x 18. Weight in Grams: 500.

Over the last few decades there has been a phenomenal growth of interest in metaphor as a device which extends or revises our perception of the world. Clive Cazeaux examines the relationship between metaphor, art and science, against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. He contextualizes recent theories of the cognitive potential of metaphor within modern European philosophy and explores the impact which the notion of cognitive metaphor has on key positions and concepts within aesthetics, epistemology and the philosophy of science.

Product Details

Format
Hardback
Publication date
2007
Publisher
Routledge United Kingdom
Number of pages
240
Condition
New
Series
Routledge Studies in Twentieth Century Philosophy
Number of Pages
230
Place of Publication
London, United Kingdom
ISBN
9780415324007
SKU
V9780415324007
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1

About Clive Cazeaux
Clive Cazeaux is Reader in Aesthetics at the University of Wales Institute, Cardiff. He is the editor of The Continental Aesthetics Reader (Routledge, 2000), and the author of articles on metaphor, phenomenological aesthetics, and the relation between art and knowledge.

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