On Not Being Able to Paint
Marion Milner
€ 34.90
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Description for On Not Being Able to Paint
Paperback. Originally published: London: Heinemann, 1950. Num Pages: 272 pages, 1 colour illustrations. BIC Classification: JMAF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 196 x 129 x 15. Weight in Grams: 306.
Milner's great study, first published in 1950, discusses the nature of creativity and those forces which prevent its expression. In focusing on her own beginner's efforts to draw and paint, she analyses not the mysterious and elusive ability of the genius but - as the title suggests - the all too common and distressing situation of `not being able' to create. With a new introduction by Janet Sayers, this edition of On Not Being Able to Paint brings the text to the present generation of readers in the fields ... Read more
Milner's great study, first published in 1950, discusses the nature of creativity and those forces which prevent its expression. In focusing on her own beginner's efforts to draw and paint, she analyses not the mysterious and elusive ability of the genius but - as the title suggests - the all too common and distressing situation of `not being able' to create. With a new introduction by Janet Sayers, this edition of On Not Being Able to Paint brings the text to the present generation of readers in the fields ... Read more
Product Details
Publisher
Taylor & Francis Ltd United Kingdom
Number of pages
272
Format
Paperback
Publication date
2010
Condition
New
Weight
297g
Number of Pages
272
Place of Publication
London, United Kingdom
ISBN
9780415550789
SKU
V9780415550789
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-4
About Marion Milner
Marion Milner (1900-1998) was a distinguished British psychoanalyst, educationalist, autobiographer and artist.
Reviews for On Not Being Able to Paint
[This is a book] that has done so much over the years to bring about awareness of the interplay of inner and outer reality in art and in everyday life. - Janet Sayers, from the Introduction. By engaging with the creative process through her book, [Milner] comes to appreciate the intrinsic value ... Read more