Price has edited a collection of essays on a very important but neglected topic: the generational divide between black churches and the hip-hop culture of young people. The cultural clash was vividly illustrated in 1994 when Calvin Butts, pastor of Harlem's famed Abysinnian Baptist Church, had a bulldozer crush a pile of gangsta rap CDs in a public ceremony, decrying ... Read moretheir misogynistic attitudes and the romanticism of gang violence. Most of the essays call for reconciliation between these cultures because hip-hop represents the two populations missing in most black churches
men and young people
as Josef Sorett points out in his essay. The book is divided into three parts: "From Civil Rights to Hip Hop"; "Hip Hop Culture and the Black Church in Dialogue"; and "Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix." The collection represents a diversity of viewpoints and styles, with content ranging from essays to sermons....This volume represents an important first step in research. Summing Up: Recommended.
CHOICE
This is a timely and fascinating look at the various directions and disconnect that the Black Church and hip-hop culture have had in the past century in they way they have coped with and expressed their concern with racial equality and economic self-sufficiency. The Black Church played a strong role in the civil rights era and beyond in helping to deal with these key issues. The hip-hop culture grew from the disenfranchised youth looking for both support and guidance. Both groups were seeking the same thing but had very different means of achieving their goals. This volume provides essays written by black leaders, preachers, and scholars on their responsibilities to society and to one another. It is broken down into three sections, each with about eight to ten essays: "From Civil Right to Hip Hop," "Hip Hop Culture and the Black Church in Dialogue," and "Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix." The essays address such issues as the transition of one generation to the next, the various expressions of faith, and similarities and differences among the two cultures. The book provides timely commentary, analysis and strategies toward reconciling and perhaps even merging the efforts of these two groups. It will be a useful supplement to many black studies courses as well as of interest to those involved in black ministry.
American Reference Books Annual
I am truly impressed with the [The Black Church and Hip Hop Culture]’s subject matter and content and view it as successfully targeting two of the most important “institutions” in American society and life involving people of Africana descent today and that these institutions represent best the generational divide. I agree that the Black Church and its reaction to and connection with Hip Hop Culture must be problematized and interrogated. This [volume] delivers on its purpose and mission of doing just that.
Angela Nelson, Bowling Green State University In both aesthetic and political terms, the Black Church and Hip Hop have demonstrated voracious muses as they've influenced and internalized the outside social world. Emmett Price's vibrant new collection engages from myriad angles some of the internal discussions—the "kitchen talk"—of these contiguous communities. What they've shared, how they've differed, and where they might go from here is theorized and imagined in intellectual terms in this book but with all the soulfulness of a church mother's moan or a digital loop. Let the church say: 'and you don't stop!'
Guthrie P. Ramsey Jr., University of Pennsylvania; author of Race Music: Black Cultures from Bebop to Hip Hop Show Less