Capturing the Criminal Image: From Mug Shot to Surveillance Society
Jonathan Finn
At the beginning of the twentieth century, criminals, both alleged and convicted, were routinely photographed and fingerprinted-and these visual representations of their criminal nature were archived for possible future use. At the beginning of the twenty-first century, a plethora of new tools-biometrics, DNA analysis, digital imagery, and computer databases-similarly provide new ways for representing the criminal.
Capturing the Criminal Image traces how the act of representing-and watching-is central to modern law enforcement. Jonathan Finn analyzes the development of police photography in the nineteenth century to foreground a critique of three identification practices that are fundamental to current police work: fingerprinting, DNA ... Read more
As Finn reveals, the collection and archiving of identification data-which consist today of much more than photographs or fingerprints-reflect a reconceptualization of the body itself. And once archived, identification data can be interpreted and reinterpreted according to highly mutable and sometimes dubious conceptions of crime and criminality.
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