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29%OFFMarsha Kinder - Blood Cinema: The Reconstruction of National Identity in Spain - 9780520081574 - V9780520081574
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Blood Cinema: The Reconstruction of National Identity in Spain

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Description for Blood Cinema: The Reconstruction of National Identity in Spain Paperback. Examines the films of such key directors as Bunuel, Saura, Erice, and Almodovar, as well as works from the popular cinema and television, exploring how they manifest political and cultural tensions related to the production of Spanish national identity within a changing global context. Num Pages: 568 pages, 103 b&w photographs. BIC Classification: 1DSE; APFA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 155 x 31. Weight in Grams: 912.
In this innovative synthesis of film history and cultural analysis, Marsha Kinder examines the films of such key directors as Bunuel, Saura, Erice, and Almodovar, as well as works from the popular cinema and television, exploring how they manifest political and cultural tensions related to the production of Spanish national identity within a changing global context. Concentrated on the decades from the 1950s to the 1990s, Kinder's work is broadly historical but essentially conceptual, moving backward and forward in time, drawing examples from earlier films and from works of art and literature, and providing close readings of a wide range ... Read more

Product Details

Format
Paperback
Publication date
1993
Publisher
University of California Press United States
Number of pages
568
Condition
New
Number of Pages
568
Place of Publication
Berkerley, United States
ISBN
9780520081574
SKU
V9780520081574
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Marsha Kinder
Marsha Kinder is Professor of Critical Studies in the School of Cinema-Television at the University of Southern California. Her most recent books are Playing With Power in Movies, Television, and Video Games (California, 1991) and Remapping the Post-Franco Cinema, a special issue of Quarterly Review of Film and Video (1991).

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