Structures of Feeling in Seventeenth-Century Cultural Expression
Susan McClary
€ 88.53
FREE Delivery in Ireland
Description for Structures of Feeling in Seventeenth-Century Cultural Expression
Structures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of various cultural forms - notably the visual arts, poetry, theatre, music, and dance - to grapple with human values in the increasingly heterodox world of the 1600s. Series: UCLA Clark Memorial Library Series. Num Pages: 400 pages, 20 halftones; 1 figure. BIC Classification: 3JD; DSBD; JFC. Category: (P) Professional & Vocational. Dimension: 236 x 159 x 29. Weight in Grams: 720.
Between the waning of the Renaissance and the beginning of the Enlightenment, many fundamental aspects of human behaviour - from expressions of gender to the experience of time - underwent radical changes. While some of these transformations were recorded in words, others have survived in non-verbal cultural media, notably the visual arts, poetry, theatre, music, and dance. Structures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of these various cultural forms to grapple with human values in the increasingly heterodox world of the 1600s.
Essays from prominent historians, musicologists, and art critics examine methods of non-verbal cultural ... Read more
Show LessProduct Details
Publication date
2012
Publisher
University of Toronto Press Canada
Number of pages
400
Condition
New
Series
UCLA Clark Memorial Library Series
Number of Pages
400
Format
Hardback
Place of Publication
Toronto, Canada
ISBN
9781442640627
SKU
V9781442640627
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Susan McClary
Susan McClary is Professor of Music at Case Western Reserve University and Distinguished Professor Emerita at UCLA
Reviews for Structures of Feeling in Seventeenth-Century Cultural Expression
‘There is much to be gained from reading the work of a distinguished group of scholars working at the top of their game, drawing broadly on literary, musical, art historical, and colonial histories to particularize what McClary, borrowing a term from Raymond Williams, calls ‘‘the structures of feeling’’ of early modernity.’
Gail Kern Paster
Renaissance Quarterly vol 66:04:2013 ... Read more
Gail Kern Paster
Renaissance Quarterly vol 66:04:2013 ... Read more