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Vision and Difference: Feminism, Femininity and Histories of Art
Griselda Pollock
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Description for Vision and Difference: Feminism, Femininity and Histories of Art
Paperback. Chapters on the structures of art historical writing are complemented by studies of Elizabeth Siddall, Mary Cassatt and Berthe Morisot, which deal with themes of modernity, sexuality and repression. Series: Routledge Classics. Num Pages: 368 pages, 1 black & white tables. BIC Classification: ABA; AC; JFC; JFFK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 198 x 130 x 27. Weight in Grams: 415.
Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt.
Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the ... Read more
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Publisher
Taylor & Francis Ltd United Kingdom
Number of pages
368
Format
Paperback
Publication date
2003
Series
Routledge Classics
Condition
New
Weight
386g
Number of Pages
368
Place of Publication
London, United Kingdom
ISBN
9780415308502
SKU
V9780415308502
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-4
About Griselda Pollock
Griselda Pollock (1949-). Renowned art historian and critic, currently Professor of Social and Critical Histories of Art at the University of Leeds
Reviews for Vision and Difference: Feminism, Femininity and Histories of Art
'A classic text by one of the great pioneers of feminist criticism and art history' - Linda Nochlin, New York University, USA 'A vital text for understnading the polemics of feminist art history, and its methods in practice' - Anthea Callen, University of Nottingham, UK