The book is the culmination of Milner's own literary journey, a final conjunction between her maverick take on psychoanalytic theory and her interest in art as it is created by or seen by people who are not `artists', art historians or psycho-analysts. No-one can read the book, I think, without wondering about their own equivalent of Milner's glass bead game ... Read moreor what mysteries lie concealed in the memories and souvenirs we bring back from our trips away from home and visits to galleries, as from our dreams. - Hugh Haughton, from the new introduction. Show Less