“[This is] a study in great depth of the historiography of older mapiko masquerading in Mozambique, and an intricately woven social history of twentieth-century Makonde masking forms. … Israel brings to light a wealth of detail on the ways in which masking has changed over time and in a variety of social and historical circumstances. … An important contribution to the literature on African masquerades and performance.”
African Arts
“The book reconstructs a history that has gone largely unwritten, achieving a panoramic vision of the simultaneously embedded and independent trajectory of mapiko…It is destined to become a classic for its unparalleled assembly of rich and detailed ethnographic data … Israel’s analysis opens lines of sight onto how longstanding dynamics of social interaction in southeast and east-central Africa…adapted to and helped shape the path of colonial rule in northern Mozambique. This is important and exciting history.”
American Historical Review
“All readers will be mesmerised by Israel’s attention to detail, ability to flesh out the mood of each period under study, and explanation of how the Makonde represented that mood and what was going on in their daily lives through the characters they brought to life through mapiko.”
Kronos
“…Both innovative and liberating…Israel has produced a remarkably well-written, thoroughly researched, and fantastically valuable book vividly detailing ongoing transmogrifications of the persistent cultural tradition(s) of mapiko. …The book deserves a much wider readership than those interested in performance, political history, and memory in sub-Saharan Africa.”
Canadian Journal of History
“In this beautifully crafted analysis of mapiko performances, Paolo Israel interweaves the history of Mozambique with close readings of hundreds of song lyrics and detailed microhistories of events and individuals that gave rise to this performance tradition. … Those interested in how and why performance matters will find much of value in this superb text and accompanying video and audio materials on the companion website.”
Journal of African History
“Paolo Israel’s exciting work, constructing the oral history of a masquerade genre against a backdrop of radical social change, is a virtuoso performance that brings together the insights drawn from intensive oral history research and a critical eye for the use and misuse of anthropological theory…This book is a trove of material to be explored by students of masking or other forms of popular performance.”
Africa
“In Step with the Times not only produces a cultural history of the Makonde in which mapiko masquerading plays a vital part, but also draws attention to oral history as collective memory. It is after all this shared recollection and celebration which fuel the revival that keeps older forms of mapiko alive in contemporary genres which, as shown by Israel, serve as performative archives.”
South African Theatre Journal
“The insights, humour and rich linguistic material throughout In Step with the Times fuel that amazing rush one gets when reading a truly exceptional work. Israel…cleverly guides us through layers upon layers of history, change, invention and reinvention in the creative artistry, choreography, songs and performances of scores of groups and hundreds of people over a broad region, both on and off the Makonde plateau. It is truly a tour de force.”
Canadian Journal of Africa Studies
“Marked by extensive fieldwork and deep understanding of Makonde culture and language, this pioneering study emphasizes the importance of performance to understand the famous masked dance culture of the Makonde of Mozambique, especially the dynamic, changing nature of Makonde masking as it regularly reinvented itself in response to the shifting historical context.” “In Step with the Times is a groundbreaking book in African studies, important for all students of memory, performance, and visuality. Paolo Israel shows how nonverbal memories—as experienced in mapiko performances—are an essential part of people’s sense of collective belonging.” “A mesmerising journey into a world of ever evolving rural community consciousness, where athletics becomes aesthetics, rivalry reappears as revelry, critique chameleonises itself into celebration and magic, masquerade and materialism intertwine with and embrace each other. A provocative intellectual paean to the irrepressible inventiveness of a rural community that has been oppressed but never conquered. A danca continua!”