'Hewett is interested in acting within the context of other practices and developments, such as directing, production practices, technology and actor training [.] Each chapter is given over to a particular production practice - studio realism and location realism - and approached with a broadly common set of questions and a specific example to anchor the wider argument [.] The ... Read morevalidity of this approach is confirmed by the illuminating and detailed textual analysis that is at the heart of each chapter, which is used not to elucidate the narrative but to concretise the arguments made about space, the variety of actors' approaches and training and directorial and production practices.' Stephen Lacey, University of South Wales, Critical Studies in Television, Vol. 13, No. 4 (December 2018)
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