
The Explanation For Everything: Essays on Sexual Subjectivity
Paul Morrison
"The claim 'I'm straight' is the psychosexual analogue of 'The check is in the mail': if you need to say it, your credit or creditability is already in doubt." So begins Paul Morrison's dazzling polemic, which takes as its point of departure Foucault's famous remark that sex is "the explanation for everything."
Combining psychoanalytic, literary, and queer theory, The Explanation for Everything seeks to account for the explanatory power attributed to homosexuality, and its relationship to compulsory heterosexuality. In the process, Morrison presents a scathing indictment of psychoanalysis and its impact on the study of sexuality. In bold but graceful leaps, Morrison applies his critique to a diversity of examples: subjectivity in Oscar Wilde, the cultural construction and reception of AIDS, the work of Robert Mapplethorpe, the practice of bodybuilding, and the contemporary reception of the sexual politics of fascism.
Analytical, witty and astute, The Explanation for Everything will challenge and amuse, establishing Paul Morrison as one of our most exciting cultural critics.
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Reviews for The Explanation For Everything: Essays on Sexual Subjectivity
David M. Halperin,University of Michigan, Ann Arbor "Though the irony of his title refuses the explanatory totalization that would follow from taking it straight, Paul Morrison's dazzlingly ferocious new book explains beyond all doubt why those of us familiar with his wide-ranging work recognize him as the most profoundly and provocatively Wildean critic of his generation."
Lee Edelman,Tufts University "Why is it that our culture's explanation for everything is homosexuality? In this judiciously argued and brilliantly conceived study, Morrison offers a compelling explanation of his own. The specter of "the homosexual" provides the perfect political scapegoat for acts of injustice that are, in truth, systemic and social in nature. If there is a culprit in contemporary scientific and cultural explanations of modern villainy, it is the predilection of critics themselves to find latent homosexuality here, there, and everywhere. A shrewd, quick-witted, and penetrating book."
Diana Fuss,Princeton University