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Sounds: The Ambient Humanities
John Mowitt
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Description for Sounds: The Ambient Humanities
Hardback. Offers a study of sounds that aims to write the resonance and response they call for. This book critiques on the existing models field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds. Num Pages: 184 pages. BIC Classification: JFC; JHB. Category: (G) General (US: Trade). Dimension: 239 x 158 x 17. Weight in Grams: 380.
This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we "audit" sounds and do so by drawing on paradigms of thought not easily accommodated within ... Read more
This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we "audit" sounds and do so by drawing on paradigms of thought not easily accommodated within ... Read more
Product Details
Format
Hardback
Publication date
2015
Publisher
University of California Press
Condition
New
Number of Pages
184
Place of Publication
Berkerley, United States
ISBN
9780520284623
SKU
V9780520284623
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About John Mowitt
John Mowitt holds the Leadership Chair in the Critical Humanities at the University of Leeds. He is the author of several books, including Radio: Essays in Bad Reception, Percussion: Drumming, Beating, Striking, and Re-takes: Postcoloniality and Foreign Film Languages.
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