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Dosso Dossi: Paintings of Myth, Magic, and the Antique
Giancarlo Fiorenza
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Description for Dosso Dossi: Paintings of Myth, Magic, and the Antique
Hardback. Num Pages: 256 pages, 34 colour, 60 b&w illustrations. BIC Classification: 1DST; ACND. Category: (G) General (US: Trade). Dimension: 258 x 211 x 26. Weight in Grams: 1202.
In Dosso Dossi: Paintings of Myth, Magic, and the Antique, Giancarlo Fiorenza draws on a wealth of rarely studied primary source material to present the work of the Ferrarese court artist Dosso Dossi in a new light. The artist, who worked mainly for Duke Alfonso I d’Este of Ferrara, is celebrated for his mythological paintings that spoke to the courtly imagination. Fiorenza focuses on Dosso’s highly allusive and eloquent portrayal of ancient and vernacular subjects found in such well-known works as Jupiter Painting Butterflies, Myth of Pan, Enchantress, and his frescoes of Aesop’s fables.
Dosso’s art challenges conventional iconographic analysis, ... Read more
Show LessProduct Details
Format
Hardback
Publication date
2008
Publisher
Pennsylvania State University Press United States
Number of pages
256
Condition
New
Number of Pages
248
Place of Publication
Pennsylvania, United States
ISBN
9780271032047
SKU
V9780271032047
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Giancarlo Fiorenza
Giancarlo Fiorenza is Assistant Professor in the Department of Art and Design at California Polytechnic State University, San Luis Obispo. His articles have been included in such publications as Art Bulletin, Renaissance Quarterly, I Tatti Studies, and Modern Language Notes.
Reviews for Dosso Dossi: Paintings of Myth, Magic, and the Antique
“Giancarlo Fiorenza has provided an indispensable contribution to the study of Italian Renaissance culture. . . . There is, in fact, no comparable account of Ferrarese court culture in the sixteenth century.” —Stephen Campbell, The Johns Hopkins University “In this beautifully crafted, original study, Fiorenza not only renovates Dosso’s reputation in terms of his ‘luxuriant and festive manner,’ but ... Read more