“Katrin Kogman-Appel of Ben-Gurion University, in her splendid new book examining the sources of five rare early 14th-century Haggadot from Aragon and Catalonia, revives the distinct possibility that the Jews were originally the pioneers of the images of the biblical narrative.” —Meir Ronnen Jerusalem Post “All in all, Kogman-Appel is to be commended for offering such a comprehensive and meticulously researched view of the sophisticated images in the Sephardic Haggadot, and for illuminating the complex Jewish-Christian relationships in medieval Spain from a little known point of view.” —Shalom Sabar Shofar “The book breaks new ground in its close examination of the seven earliest and most significant illuminated Sephardic haggadot as representatives of a new phenomenon—the embellishment of haggadot with extensive cycles of Biblical imagery. Recognizing the diversity of relationships among these works, it grounds the emergence and content of their imagery within the unique cultural-intellectual context of late medieval Iberian Jewry.” —Pamela A. Patton, Southern Methodist University “The scholarship is impeccable throughout, and the close analysis of the manuscripts’ imagery and sources is deeply impressive. The discussion of visual motifs in the illustrations; the articulation of the concept of visual congruence; the conclusions about the interrelationship of the manuscripts; and the identification of the Midrashic works reflected in the images, are all learned, thorough, and convincing. Together they constitute a major contribution to the field of medieval Jewish manuscript illumination.” —Sara Lipton, SUNY, Stoney Brook “Scholars of medieval culture, and art historians in particular, owe a debt of gratitude to Katrin Kogman-Appel for her fundamental study of this material, which surely sets the benchmark for future explorations of the intersection of Jews, Christians, and art in the Middle Ages.” —Adam Cohen The Medieval Review (TMR) “Taken as a whole, this well-written, scholarly and highly thought-provoking book constitutes a distinguished contribution to our understanding of late medieval Jewish culture and society. The work is lavishly illustrated with 16 full colour plates and a further 174 black-and-white plates.” —Simon Barton History “Clearly written and densely annotated, this volume is beautifully produced, with many of the illustrations occupying a full page. Excellent color plates of 16 illustrations make one wish that a few more of the additional 174 halftones were also in color. This volume is a must for all collections that feature arts of the Abrahamic traditions.” —John Renard Religion and the Arts “This is the only book to examine intensively the biblical cycles of Iberian Haggadot, which are the earliest Jewish narrative imagery to appear since Late Antiquity and the first to render biblical narrative in chronological order. . . . From the beginning of her study, Kogman-Appel displays a sharp awareness of the historiography of Hebrew illuminated manuscripts and does a good job of making readers aware of the burden such notions as recension theory, particularly that which is focused on lost Jewish exemplars, have placed on scholars of Jewish art. . . . Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday, with its rich observations, plentiful illustrations, and thorough bibliography, is certain to be a valued resource for those working in the field of Hebrew manuscript illumination.” —Julie Harris CAA Reviews