In The Birth of the Despot, Lucette Valensi argues that the developing discourse on the Oriental despot indicated both disquiet at the prospect that that the Turks were more likely than any Christian king to reunite Europe, and reaction against domestic shifts in power from the nobility to kings and signori.... Her book is beautifully organized and written. Shaped like an oratorio, it follows a simple narrative line in intricate melodies that are pristine and classical in form.
Middle East Journal
Lucette Valensi's essay is an elegant, almost lyrical historical study.... Her study makes some important corrections to traditional assumptions of how Venetians perceived and appropriated the image of the Ottoman Empire in the early modern era.
Sixteenth Century Journal
Using reports read to the doge and senate by ambassadors and envoys extraordinary to the Porte on their return home, Lucette Valensi analyzes their portrayals of Sultans within the context of Renaissance literary traditions. The origins and etymological evolution of the word 'despot,' its attachment to the Sultans, and its emigration into contemporary usage in modern European languages form a central theme. Valensi tells a fascinating story, using the structure of Vivaldi's operatic rendition of the biblical parable of Judith and Holofernes as the organizing principle. She offers important historical insights as well, for Venice was surely better informed about the Turk than any other western polity. The story begins with visions of the Sultan as the model of an enlightened Renaissance prince in all but religion, and ends with an arbitrary and bloodthirsty Mehmet IV driven by strange appetites and unknowable impulses, the very image of Montesquieu's Oriental despot. The style is polished; the organization effective; the insights into the educational methods, rhetoric, and modes of thought of late Renaissance Venice fascinating.
The International History Review