8%OFF
Stock image for illustration purposes only - book cover, edition or condition may vary.
Meter in Music, 1600–1800: Performance, Perception, and Notation
George Houle
€ 23.99
€ 22.03
FREE Delivery in Ireland
Description for Meter in Music, 1600–1800: Performance, Perception, and Notation
Paperback. A guide to the performance of Baroque and early Classical music, including discussions of notes inegales, fingerings, woodwind tonguings, and string bowings. Series: Music: Scholarship & Performance. Num Pages: 188 pages, 1, black & white illustrations. BIC Classification: 3JD; 3JF; AVA; AVGC3; AVGC4. Category: (P) Professional & Vocational. Dimension: 228 x 156 x 11. Weight in Grams: 296.
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo
"This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music
" . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal
The treatment of meter in performance has evolved dramatically since 1600. Here is ... Read more
Show LessProduct Details
Format
Paperback
Publication date
2000
Publisher
Indiana University Press United States
Number of pages
188
Condition
New
Series
Music: Scholarship & Performance
Number of Pages
192
Place of Publication
Bloomington, IN, United States
ISBN
9780253213914
SKU
V9780253213914
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About George Houle
George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all ... Read more
Reviews for Meter in Music, 1600–1800: Performance, Perception, and Notation
"More than the notation was different! ... fine addition ... "
Early Music News "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -Continuo "This is a book from an excellent musician in the early field who turns out also ... Read more
Early Music News "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -Continuo "This is a book from an excellent musician in the early field who turns out also ... Read more