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Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity
Anahid Kassabian
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Description for Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity
Paperback. How does the constant presence of music in modern life - on iPods, in shops and elevators, on television - affect the way we listen? In this title, the author investigates many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Num Pages: 182 pages, 2 tables, 1 music example. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 229 x 150 x 10. Weight in Grams: 256. Affect, Attention, and Distributed Subjectivity. 182 pages. How does the constant presence of music in modern life - on iPods, in shops and elevators, on television - affect the way we listen? In this title, the author investigates many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Cateogry: (P) Professional & Vocational. BIC Classification: AVA. Dimension: 229 x 150 x 10. Weight: 256.
How does the constant presence of music in modern life - on iPods, in shops and elevators, on television - affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In "Ubiquitous Listening", Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues for a new examination of the music we do not normally hear (and by implication, that we do), one that examines the way it ... Read more
How does the constant presence of music in modern life - on iPods, in shops and elevators, on television - affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In "Ubiquitous Listening", Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues for a new examination of the music we do not normally hear (and by implication, that we do), one that examines the way it ... Read more
Product Details
Publisher
University of California Press
Number of pages
182
Format
Paperback
Publication date
2013
Condition
New
Weight
259g
Number of Pages
182
Place of Publication
Berkerley, United States
ISBN
9780520275164
SKU
V9780520275164
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Anahid Kassabian
Anahid Kassabian is the James and Constance Alsop Chair of Music at the Institute of Popular Music and the School of Music at the University of Liverpool. She is the author of Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music.
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