
Division Street
Helen Mort
*SHORTLISTED FOR THE T.S ELIOT PRIZE AND COSTA POETRY AWARD 2013*
'A stone is lobbed in '84,
hangs like a star over Orgreave.
Welcome to Sheffield. Border-land,
our town of miracles...'
- 'Scab'
From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mort's stunning debut is marked by distance and division. Named for a street in Sheffield, this is a collection that cherishes specificity: the particularity of names; the reflections the world throws back at us; the precise moment of a realisation. Distinctive and assured, these poems show us how, at the site of conflict, a moment of reconciliation can be born.
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About Helen Mort
Reviews for Division Street
Carol Ann Duffy Outstanding… There's a confidence and wit that's rare in a first book, but underlying it all is the bedrock of the north of England, its landscapes and stories. These are poems of passion, risk, tenderness and power
Michael Symmons Roberts, winner of the Forward Prize 2013 There’s been a buzz around Helen Mort for a while, and her debut, Division Street, doesn’t disappoint
Suzi Feay
Independent
An excellent first poetry collection
lucid, intelligent, politically aware, and loyal to the landscape that inspired it.
Blake Morrison
Guardian Picks of the Year
Mort is a fast-rising star of British poetry… marked by a gritty urban lyricism and a terrific rhythmic vitality
i
A poet of exceptional talent, with a strong clear voice, a sure sense of metre and a poetic sensibility which has an unshakeable attachment to the real world.
Herald
Although Helen Mort is just 28, it's surprising that Division Street is her first full collection
so frequently and impressively does her work appear in magazines and competitions... It's a brilliant debut.
Bill Greenwell
Independent
A first class first full-length collection
Tribune
Gritty, witty, stylish and totally memorable. Division Street is a book which has something important to say, addressing a wide range of topics with novelty and intelligence.
John Glenday
The beauty of her debut collection is partly the sense that it has been written against the clock. Every poem is on the move... the style is satisfyingly Orwellian
no long words where a shorter one would serve. Nor is she a poetic detective assisting with mysteries. She knows when to let be and let go.
Kate Kellaway
Observer