Adapting words of the ancient critic Longinus, [Lombardo] refers to the intense light of noon of the Iliad , the magical glow of the setting sun in the Odyssey , and the chiaroscuro of the Aeneid , a darkness visible. This latter phrase is the title of a famous interpretation of the Aeneid by W. R. Johnson, ... Read morewho contributes a splendid essay to the translation. Whether recited or read, the present volume stands as another fine performance on Lombardo's part. Summing up: Highly recommended.
C. Fantazzi, CHOICE Lombardo . . . tends to let Virgil be Virgil, and so avoids imposing unwarranted interpretation on the unwary reader. . . . [W.R. Johnson's] introduction is masterful and illuminating.
Hayden Pelliccia, The New York Review of Books Crisp, idiomatic, and precise, this is a translation for our era. The list of further reading, grounded in the writings of W.R. Johnson (who also wrote the Introduction) and Michael C. J. Putnam, suggests the context that informs the translation: here, as the translator says in the Preface, you will find an Aeneid that works more in the shadows than in the light. . . . This translation would be excellent for classroom use: not only would it incite fascinating discussions about issues of war and empire, but it also reads well aloud. . . . Together with Johnson's Introduction, this volume offers the Aeneid in terms that will resonate strongly with the general reader of today.
Sarah Spence, New England Classical Journal Show Less