Brian Walters has given us what too few translators of classical poetry do
an authorial presence. Here is Lucan himself in all his drastic modes
everything from his enraged indignation to his paradoxical aphorisms
recreating the ruptured Neronian world he lived in as he recounts the nefarious civil war that destroyed the Roman Republic.
Stanley Lombardo, University of Kansas Brian Walters, aware that the poem's 'obsessive meditations on tyranny and the corruption of power' fit the times, brings to life in his translation the fractured state of the late Roman Republic as Julius Caesar's compulsive boundary-crossing chips away at the increasingly futile resistance of Pompey and Cato. Lucan's violent content demands an equivalent violence of expression, and here Walter's is especially successful, as during the naval slaughter at Massilia (3.549-803) or Erichtho's reanimation of a young soldier's corpse (6.760-883. He really hits his grisly stride, though, with the infamous snake episode (9.749-854), a scene of herpetological carnage that he renders with Quentin Tarantino-esque intensity and absurdity. W.R. Johnson, a critic who has been most willing to find the dark humor in Lucan's poetry, situates the work accordingly as a 'unique fusion of high seriousness with an especially bitter kind of satire fueled by vehement sarcasm' and takes the reader though the greatest its of modern Lucian criticismanti-heroics, Olympian omissions, the poet's relationship to Nero, the poem's 'ending'with an eye to this fusion. Patrick J. Burns, Institute for the Study of the Ancient World, in Classical World There is much to like about this translation. I commend Walters especially for his excellent ear for 21st century American idiom and diction and the way this helps to create a powerfully simple and clear translation. . . . Walters includes welcome supplementary material, such as a full glossary and a helpful book-by-book structural synopsis. In addition, W.R. Johnson's introduction is provocative and revealing, dealing specifically with the dangerous world of Neronian Rome, Lucan's atypical approach to the gods and the hero, and the Civil War 's diverse narrative styles. . . . A welcome option for the classroom [that] may just help hook new fans on Post-Augustan epic. Stephen M. Kirshner, Austin Peay State University, in CJ-Online