"Kyger's project .. is a great deal more ambitious than mere writing of a personal journal. She's creating a contemporary history, fusing private and public, personal and national in ways that add up to a formidable alternative to more traditional models of historical narration. As the poet rages about the country's political direction and environmental woes, she envelops her commentary ... Read morewith a peculiar mix of Zen teachings and noir-tinged humor ... Kyger's aesthetics have been strongly influenced by her affiliation with poets of the Beat generation. How does the Beat tradition play out in the new century? Not through nostalgia or stylistic memorabilia, but an adherence to ethics of resistance, set in motion by Kyger and the poets whose circle she was part of. Indeed, in a poem with a mouthful of a title, 'I'm Very Busy Now So I Can't Answer All Those Questions About Beat Women Poets,' Kyger keeps up the searing legacy."
Jake Marmer, Chicago Tribune "Nearly a decade in the making, Kyger's much-anticipated new collection bursts with spontaneity, wit, and a delightful swiftness ... Though there are twinges of sorrow, they always appear with an irrepressible, almost self-deprecating humor ... Kyger never lacks for source material
"Everything' is poetry, animated, kicking its heels"
and in celebrating her own 'Mega-Maturity' she states that 'understanding the grief of passing with clarity gives every moment a monumental heart.'"
Publishers Weekly "As I consider our current moment, its global stipulations, and history's legacies, I return to [Joanne Kyger's] poems as they engage local environments next to their larger shapes and conditions. Attentive to breath and animated by perceptions, her poems turn on the signatures of voice and attend to time, place, being-ness, politics, the daily, myth, mystery, histories, and the natural world. Visually and aurally shapely, her lines mix tone and mood as they muse, inform, and record ... Always rich and provocative, On Time includes my favorite poem title ever: 'A Great Vampire Squid Is Wrapped Around The Face Of Humanity' (referencing journalist Taibbi's observation of Goldman Sachs). Other lines may pointedly question global violence 'Can you believe the amount of global war / we are more / than halfway into?' or consider the nature of time 'But when has the present ever been singular?' Whole poems may observe and offer a synthesis of the personal and the political, the local and the at-large."
Granta "The poems arrive presented in chronological order, forming a continuous tracking of Kyger's daily business, the regular affairs of her life transcribed into a transformational poetics. Her poems take advantage of what is commonplace, what's often seen as minor, the simpler seeming details of time's passage. 'Watching it all go by as if owned by no one,' ('Seeing the Old Year Out' December 30, 2012) Kyger weighs the ordinary spectacle with a lighthearted gravity that's nonetheless profound. Although, as she notes, 'This sounds like a simple improvisation / but actually it's composed' ('Permission by the Horns') her work is phenomenally focused upon exactly what is at hand."
Patrick James Dunagen "There's a deft and agile movement in these poems ... Born in 1934, Kyger is 80 something now, but on the evidence of On Time she is observant, thoughtful and though provoking as ever. She throws the notion of straight laced Buddhist out the window. Serious but with a mischievous smile."
Eric Jacobs, Beat Scene "What is at stake in the poems is more than the plums she's eating, or a dream in which Gary Snyder appears: it's a vigilant exploration of the nature of consciousness in which the particulars of experience
light filtering through the clouds, a neighbor's note, surfers waiting for waves
bridge the gap between inner and other worlds. Across six decades of writing, these careful attentions to consecutive moments collectively constitute a massive humanist document, of which On Time is the latest installment. Reading Kyger is not like reading about a life so much as perceiving what it's like to really live."
Dawn-Michelle Baude, Huffington Post "Re-reading it for the fifth or sixth time, I'm put in mind of what Allen Tate said of E.E. Cummings; that this is a poet with vision, who in a dehumanizing world takes us back to the roots of our humanity ... There's simply no other voice in contemporary poetry quite like hers. Nature literate, Buddhist-inflected, a veteran roadie who's seen some miles, this book is a treat, especially if, like her, you take delight in looking at birds and fauna: her observations train on sharp-shinned hawks, scrub jays, herons that eat gophers, flickers, song sparrows, and northern California's ubiquitous wavering eucalyptus."
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